Us history Essay Example | Topics and Well Written Essays - 500 words

Us history - Essay Example Harry Truman’s strategy ensured these ally countries were going to be unbeatable since they were better economies than that of USSR, eliminating its threat of being a superpower. This was the same idea that was used to win the cold war. The fight against rampant poverty that was in America then was the war Lyndon Johnson fought. The poverty that was in America was invisible; Lyndon Johnson used political rallies to express the fact that things had gone out of control, and, therefore, Americans should put its vision on helping people who are suffering, to help them, to give them education, opportunity, to give them the chance of coming into the mainstream of America’s middle class economic life. Everybody was meant to be a winner, from the poor to the rich. America grew less optimistic about the future of the society in the 1970s due to the increased inequality that was witnessed in the society decades after the end of the Second World War. This was seen in the absence of an increase in income since 1967, and people expected nothing since they had no increase in their income for the past ten years. Therefore, it created negative long-term expectations in relation to both family and individual lives and about the future of the United States and its economic perspective. The goals and tactics of the female were to ensure the women had equal rights with men. The main goal of the feminist movement was to eliminate discrimination against women and increase a woman’s part in the building of the nation. With the establishment of feminist movements, there was and has been a noticeable success; for instance, women were able to do jobs men did. They received equal salaries with men; women were involved in politics among other successful things involving women. Vietnam War made the American people lose trust in the president and the government because the

First Degree Murder Overview Essay Example | Topics and Well Written Essays - 750 words

First Degree Murder Overview - Essay Example On that point, the degree of murder entails the whether the murder was carried out directly or indirectly. On the contrary, in this particular paper we delve into the study of the first degree murder in detail for instance the factors that fuel murder among other issues. In addition to that, the subsequent section will serve to analyse the criminal laws pertaining to the first degree murder. First and foremost, first degree murder can be defined as the killing of an individual unlawfully which may be both out of will or premeditated. Apparently, most countries in the world follow the concept of felony murder. On that note, the perpetrator of the act are usually categorised as arson, burglary, kidnapping, rape and robbery. Notably, in a bid to solve the cases pertaining to the first degree murder, it is essential to study some of the key elements that serve to describe the case. Firstly, the elements are wilfulness, premeditation and deliberation. Moreover, this may differ from one country to the other. On that note, some countries may also include malice aforethought in the elements of these kinds of cases. Furthermore, in some cases the case is usually declared as a first degree murder without the need to look into the intention and deliberation of the perpetrator. In contradiction, in some state, murder cases are not usually categorised based on degrees but classify t hem based on priorities given to the case, in other words top level murder crime among other. Evidently, since intent has been named as one of the elements of first order crime, we are going to elaborate on the fact. Apparently, this is the willingness of the murderer to end another person’s life. Notably, a case is usually classified as a first degree murder case, if the perpetrator had beyond reasonable doubt intent to end the victim’s life. It is worth noting that, even if the murderer mistakenly murdered another

Human Personality Essay Example | Topics and Well Written Essays - 1000 words

Human Personality - Essay Example This theory of specificity has its roots deep in the experimental tradition, and its priori improbability should not prevent us from glancing at the main sources from which it draws its strength. The first of these sources is the Thorndikian type of learning theory prevalent around the first decades of this century. Learning is conceived in terms of S-R (stimulus-response) bonds after the manner of the reflex or the conditioned reflex, and these bonds are, of course, conceived to be entirely specific. If the organization of personality is mainly a matter of learning and here the huge preponderance of writers have favoured an anti-hereditarianism sight, without though basing themselves on any persuasive experimental evidence then the specificity of the learning procedure ought to be mirrored in the last product of learning, i.e. the mature personality. And as S-R theories in the field of learning have been confront by S-S theories which uphold that learning is part of a better difficu lty of organization, chiefly perceptual organization, these non-specific theories came into the field additional lately, have been somewhat less important historically, and have not carried over into the field of personality account to the similar extent as the specificity theories. Genius Human perfectibility" has been the theme of many enthusiasts; and many utopian schemes of society have been and still are suggested, which postulate in the men and women of the future an increase in moral and physical health and vigour. And it is plain that in a broad and general way natural selection, sexual selection, and the advance of science are working together towards improvements of these kinds. But it is plain also that these onward tendencies, at least in comparison with our desires and ideals, are slow and uncertain; and it is possible to argue that the apparent advance in our race is due merely to the improvement which science has effected in its material environment, and not to any real development, during the historical period, in the character or faculties of man himself. Sleep Regarding sleep as an alternating phase of personality, we must consider what are its special characteristics and faculties. Regarding it as an integral factor in our earthly existence, and on an equal footing with the waking state, we must consider how the faculties of sleep, as of waking, can be enhanced and intense in the course of the bodily and psychical development of man. Such development or concentration, though, presupposes a understanding of the true nature of sleep which we are by no means at liberty to take for granted. Disintegrations Of Personality Many disturbances and disintegrations of the personality must presently fall to be described. But the reader who may follow me must remember the point of view from which I am writing. The aim of my study is not to destroy but to complete; or say, rather, my hope is that observation of the ways in which

The Outcasts of Poker Flat Review Essay Example for Free

The Outcasts of Poker Flat Review Essay The Outcasts of Poker Flat and the Metaphor of Texas Hold ‘em The story of â€Å"The Outcasts of Poker Flat† by Bret Harte is a beautifully written narrative about a character named Mr. John Oakhurst. During the story, Oakhurst is placed through a variety of situations that eventually lead to his subtle death. The story of â€Å"The Outcasts of Poker Flat† follows as a parallel to the game of Texas Hold ‘em in a very unique way. In the game of Texas Hold ‘em, every player is given two cards. This states the metaphor for where Mr.  Oakhurst is currently at and what variables he has been given. In the beginning of the story Mr. Oakhurst is known to be a professional gambler and he has been kicked out of the town of Poker flat along with a few more Outcasts named the Duchess, Mother Shipton, and a man named Uncle Billy. Considering the fact they have been kicked out of the community, they now have to venture to the closest town, over a range of mountains, named Sandy Bar (1,2). They have a limited supply of goods to make it there, and these are the cards they have been given. The next turn of events in the game of Texas Hold ‘em is called the â€Å"flop. † In this turn, three cards are flipped over for everyone’s use in hope that the gamblers will have a better chance at winning the hand. These three cards are variables. The flop can sometimes benefit the gambler, and the other time the cards don’t help at all. In the story, the variables given to Mr. Oakhurst are three hindrances. One variable in the story is during the middle of the first night there are some added guests to the campsite for the night. These guests are named Tom Simson and Piney Woods (3). This makes the living situation for the night a little more difficult. The second variable happens in that same night. Uncle Billy goes on his own way without the rest of the outcasts. To make the situation even worse, Uncle Billy took the mules from the outcasts (3). Now, the people were without transportation. The final variable in the flop is: there is a storm brewing for the campers and they had been snowed in (4). Now in the game, it is up to the gamblers to throw in their chips and bet if they can win the hand. If the gambler doesn’t believe he can win the hand he has the option to fold and quit betting. In this case of the metaphor, this option would be to kill himself. In the instance of John Oakhurst he decides to gamble and continue on playing with the variables he has been given. The next and final turns of the game are called â€Å"the turn† and â€Å"the river. † These turns are two more cards, and in the metaphor two more variables added to the situation. For the gamblers it can be added assurance of the win, or it could be more clarification that the gambler will not win. In the case of Mr. Oakhurst, â€Å"the turn† card is another downfall. Mother Shipton had folded her cards. She no longer could survive the winter cold and lack of food and supplies (6). In Oakhurst’s frame of mind this was an added despair. People were giving up and psychologically he was feeling the same way inside. It was now time for the â€Å"River card† and it was the last stretch for Mr. Oakhurst. The added variable is that the storm continues to get worse (6). Oakhurst is realizing the severity of his situation however he doesn’t let that emotion show. He lets the other gamblers continue on and he makes his last decision in the game. He folds his cards (7). He had given up on the venture to Sandy Bar and decided that the hand he played was his last. The â€Å"Outcasts of Poker Flat† written by Bret Harte goes to show sometimes many are given a lucky hand and sometimes a gambler is â€Å"struck with a streak of bad luck† (7). Mr. Oakhurst received the latter in this story due to his gambling ways. Through this argument one has seen that this story follows as a parallel to the game of Texas Hold ‘em in a very unique way.

What Is Colour And Light Philosophy Essay

What Is Colour And Light Philosophy Essay It is light, the source of of life; it touches and expresses the soul of mankind. There is nowhere that colour does not exist; we are constantly under its influence, wether we knowit or not, and we do not need our eyes open to experience it. The body prosesses colour through the eyes, we often make the mistake of imaging that it is only a matter of appearance. Colour is all about feelings, and is far, far more than a mere visual delight. It is a paradox, in that the scientific definition of colour relates entirely to light-but we see it in the dark, with our eyes closed. We dream in colour, we visualize in colour and imagine in colour. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.12) Physists explain colour in coldly scientific terms vibrations of light, the only visible part of the electromagnetic spectrum, occupying a narrow band between microwaves and X-rays. Sir Isaac Newton demonstrated this when he shone a light through a triangular prism, the different wavelengths refreacted at different angles, showing light separated into its component parts i.e the spectrum, or rainbow. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.12) All life on earth is determined by the radiation of the sun. A section of this electromagnetic energy is visible light, which is measured by light waves of certain frequencies called a nanometer; a nanometer is a billionth of a meter. We perceive visible light in the wavelength region from approximately 380 nanometers, which is comparable to the colour violet, to 780 nanometers, which is perceived as red. This means that light is colour, because if we pass white light through a prism and break it down into the individual wavelengths that visible light consists of, we have violet (380-436 nm); blue (436-495 nm); green (495-566 nm); yellow (566-589 nm); orange (589-627 nm) and red (627-780 nm). Mahnke, Frank H., (1947). Color, environment, and human response. New York ; Chichester : Wiley, (c1996). (pp6 pp7) For the physicist, red, for example, equals an external stimulus of a light wave that has a frequency of 627-780 nanometers. For psychologist, red suggests internal process that may or may not be associated with a physical event. Mahnke, Frank H., (1947). Color, environment, and human response. New York ; Chichester : Wiley, (c1996). (pp7) Close your eyes momentarily, picture in your mind a ripe tomato. Was the tomato red? Probably so. But the input that cuased you to see red was not a light wave between 627-780 nanometers. In other words, no external object, either generating or reflecting colour, was stimulus cuased you to see the tomato as being red. This testifies to the fact that colour is in the brain; it is within us. How we see Colour and Light The basic hues of the spectrum are as follows: Hue the attribute of colour which enables an observer to classify it as red, blue etc (Collins dictionary) Tint a hue with white added Shade a hue with black added Tone a hue with grey added Value the lightness or darkness of a colour. Light colours are high value and dark colours are low value Chroma the presence of colour Chromatic intensity the percentage of colour present also known as saturation Monochromatic containing shades, tones and tints of only one colour Achromatic Containing no colour i,e black, white or pure grey Complementary Colours Colours opposite each other on the colour wheel Complementary colours are: Red and Green Blue and Orange Yellow and violet In colour psychology the importance of this becomes clearer when we realize that complementary colours, when put together, present perfect balance, as all the pigment primaries are then present: Red and (blue + Yellow) Blue and (Red + Yellow) Yellow and (Red + Blue) One of the difficulties of working with colour derives from the way the human brian is strtuctured. It is divided into two hemispheres, separated by a strong connection cable, called the CORPUS CALLOUSUM. The right hemisphere governs the left side of the body, and vice versa. Linear skills, language, rationalising and logic are driven by the left brain, while intuition, non-verbal communication art, music, creativity and visual information are processed by the right brain. In order to learn and appreciate colour fully the right side of the brain does most of the work, but to establish credibility and communicate it widely one must find a way of translating the knowledge into predominantly left-brain terms. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.23) The Color Wheel A color circle, based on red, yellow and blue, is traditional in the field of art. Sir Isaac Newton developed the first circular diagram of colors in 1666. Since then scientists and artists have studied and designed numerous variations of this concept. Differences of opinion about the validity of one format over another continue to provoke debate. In reality, any color circle or color wheel which presents a logically arranged sequence of pure hues has merit. PRIMARY COLORS Red, yellow and blue In traditional color theory, these are the 3 pigment colors that can not be mixed or formed by any combination of other colors. All other colors are derived from these 3 hues SECONDARY COLORS Green, orange and purple These are the colors formed by mixing the primary colors. TERTIARY COLORS Yellow-orange, red-orange, red-purple, blue-purple, blue-green and yellow-green. These are the colors formed by mixing a primary and a secondary color. Thats why the hue is a two word name, such as blue-green, red-violet, and yellow-orange.     COLOR HARMONY Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, color, or even an ice cream sundae. In visual experiences, harmony is something that is pleasing to the eye. It engages the viewer and it creates an inner sense of order, a balance in the visual experience. When something is not harmonious, its either boring or chaotic. At one extreme is a visual experience that is so bland that the viewer is not engaged. The human brain will reject under-stimulating information. At the other extreme is a visual experience that is so overdone, so chaotic that the viewer cant stand to look at it. The human brain rejects what it can not organize, what it can not understand. The visual task requires that we present a logical structure. Color harmony delivers visual interest and a sense of order. Some Formulas for Color Harmony There are many theories for harmony. The following illustrations and descriptions present some basic formulas . A color scheme based on analogous colors Analogous colors are any three colors which are side by side on a 12 part color wheel, such as yellow-green, yellow, and yellow-orange. Usually one of the three colors predominates. A color scheme based on complementary colors Complementary colors are any two colors which are directly opposite each other, such as red and green and red-purple and yellow-green. In the illustration above, there are several variations of yellow-green in the leaves and several variations of red-purple in the orchid. These opposing colors create maximum contrast and maximum stability. A color scheme based on nature Nature provides a perfect departure point for color harmony. In the illustration above, red yellow and green create a harmonious design, regardless of whether this combination fits into a technical formula for color harmony. http://www.colormatters.com/colortheory.html While we often take our perception of colour for granted, it takes a highly complex visual mechanism to make it possible. The system is still not fully understood and as yet there exists no single scientific theory to account for all of it. Richard Gregory observed as recently as 2005 that over 50 theories were put forward by 50 scientists at a meeting on the subject We do know certain basic facts, however, which are the result of decades of scientific investigation by physicists, biochemists, psychologists and physiologists. Colour is a subjective sensation caused by light and is not properly a quality inherent in the object itself. In General terms, Colour does not exist without light, which is a radiant energy that manifests itself in the form of the visible spectrum of sunlight. Without the eye and brain of an observer, these rays do not in themselves constitute colour. As Sir Issac Newton explained in his Optics (1704) In them there is nothing else than a power to stir up a sensation of this or that colour The perception of colour is governed by three essential factors the spectral energy distribution of the light (including the conditions under which the colour is perceived) the spectral characteristics of the object, with respect to absorption, reflection and transmission of light the activity and sensitivity of the eye and brain In physical terms, light is simply the name given to a narrow band of the energy constantly radiating from the sun. Newton, by placing a glass prism in the path of a beam of sunlight, observed how the beam divided itself into the band of colours he called the spectrum. We know that the colours of the spectrum vary in wavelength (the distance between the crest of one energy wave and the next) and that the visible range of wavelengths extends from about 400 to 750 nanometres (billionth of a meter) Using a second prism, in 1665, Newton had demonstrated that white light is obtained when all the colours of the spectrum are recombined into a single beam. Observers such as Thomas Young (1807) later that white light could be obtained by mixing red, green and blue beams only, and that all other colours could be obtained by mixing these three lights in different proportions. This became the basis of the theory of vision proposed by Young and later developed by Helmholtz (1856) that there are only three kinds of colour receptors in the human eye, corresponding to the dominant wavelengths of red, green and blue, and that all other colours can be sensed by them; the sensation of yellow, for example, occurs when both red and green sets of retinal cells are stimulated. This is the celebrated Trichomatic theory of colour vision. Porter. T, Mikellides, B. (2009). Colour for Architecture Today. Taylor and Francis Ltd. (oxon). (pp. 13) In a strict sense, objects have no intrinsic colour because we only see them if they rflect light; only light sources are able to emit their own light. We do, however, take into consideration changes in natural and artificial illumination during daytime and seasonal cycles and have learnt to compensate for these changes through what pstchologists call colour constancy Porter. T, Mikellides, B. (2009). Colour for Architecture Today. Taylor and Francis Ltd. (oxon). (pp. 15) When we take changing light for granted, we generally consider colour as a property as a property of objects in so far as it is the physical and chemical composition of the objects which determaine how much light they absorb, reflect or transmit. Most of the colours we see around us in our daily lives occur by a process of selective absorption. A red object looks red because it has the property of absorbing or subtracting from the white light it receives everything exept primarily for the colour component it refelects. In sunlight a bright red table wil absorb most wavelebngths except for those in the 650 nm region of the spectrum, for example. A white object will reflect roughly the same amounts of all wavelengths which our visual system ingenously mixes together to give a single sensation of white. A black object, on the other hand, will absorb all wavelengths and hence appear black Porter. T, Mikellides, B. (2009). Colour for Architecture Today. Taylor and Francis Ltd. (oxon). (pp. 13) The eye and brian The retina posses two sets of sensing cells, the rods and cones. Whereas the cones sense full colour in daylight, the rods operate only at low levels of illumination and are effectively colour blind. Hence, no colour appears by moonlight, as there is a threshold of illumination below which colour cannot be seen, though there may there maybe enough light to allow the perception of shape, movement and the size of objects. This can be demonstrated if we imagine red lettering painted on a black building. The lettering is ellegiable by moonlight but, as night turns into day, we are gradually able to read the letters, though the daylight has to increase considerably before the letters are fully perceived as red. Correct colour rendering requires the right balance of light-preferably daylight, which contains the full solar spectrum. Porter. T, Mikellides, B. (2009). Colour for Architecture Today. Taylor and Francis Ltd. (oxon). (pp. 13) We may well experience colour in our dreams and it can even be induced conciosly with our eyes closed by pressing on the eyeball. Colour responses can also be induced from black-and-white patterns, as when viewing Benhams top-a white disc pattern with irregular black shapes which, when spun fast, elcits sensation of colour. Porter. T, Mikellides, B. (2009). Colour for Architecture Today. Taylor and Francis Ltd. (oxon). (pp. 13) Colour psychology The psychology of colours works as follow: When light strikes the eye, each wavelength does so slightly different, Red, the longest wavelength, requires, the most adjustment to look at it, and therefore appears to be nearer than it is, while green requires no adjustment whatever, and is therefore restful. In the retina, these vibrations of light are converted into electrical impulses which pass to the brain eventually to the HYPOTHALAMUS , which governs ENDROCINE GLANDS, which in turn produce and secret our HORMONES. In simple terms each colour (wavelength) focuses on a particular part of the body, EVOKING A PSYCHOLOGICAL RESPONSE, which in turn produces a psychological reaction. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.23) Another difficulty with applying colour psychology has always been that, like everything else in the universe, there are no absolutes, only relative perceptions there is no such thing asa a good colour or bad colour. You may understand exactly which is the hue for a particular proposition, but its all to easy to communicate its negative its negative perceptions. For example, red may be stimulating and exciting or it could come across stressfull and aggressive; blue can be perceived as cold and aloof, yellow might be emotionally demanding and green may make you feel physically ill. The key to protecting positive perceptions and effective influence of any colour lies in the way it is used. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.27) Research on the psychological aspects of colour is difficult for the mere reason that human emotions are none to srable and the psychic make up of human beings varies from person to person. 1950, Faber Birren Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.28) Recognizable patterns in the psychic make up of human beings have been identified, and it is not true that they vary totally from person to person ; more recently , recongizable patterns of colour have also been identified. It is therefore now possible to establish a precise relationship between the subject and the stimulus, which enables us to predict specific response, and answer the eternal question: why does one variation of a hue have such a different effect from another? Zelnski and Fisher referred to this in their book colour as recently as 1989: Lest we hasten to repent everything in attemps at behaviour modification, we should note that physiological colour responses are complex. The precise variation of a hue has a major impact, but one that is rarely addressed by psychological research. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.28) Colour Association Orange is associated with secondary survival consideration, warmth, shelter, food. Yellow (which eastern philosophy associates with the pancreas) is about emotions, self esteem and creativity. Green Refelects the concept of love, in the universal rather than the sexual sense; being at the centre of the spectrum, it also provides perfect balance. Blue encourages intellectual activity sweet reason and calm, logical thought. Indigo has similar properties to blue but is deeper and more introverting, Violet takes the mind to a higher level, towards spiritual awarness Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.24) There are only eleven basic coilour terms in the English language. A computer of colours will show us up to sixteen million colours, but we only have names for eleven Black, White, Red, Orange, Yellow, Green, Blue, Purple, Pink, Brown and Grey. Confusingly, we borrow terms from many walks of life from nature, from food and drink and so on to describe colours such as peacock blue, burgundy, peach, cream, tan. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.24) Colour is natures own form of pure communication a much more reliable form, a language which every single one of us was born understanding clearly, and we all use every day, with varying degrees of conscious awareness, regardless of cultural division and conditioning. In order to start developing this wonderful language, we must first revert to basic scientific thinking Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.25) Science recognizes four psychological primary colours Red, Green, Blue and Yellow. Red and its derivatives relate to the phisycal; its often said that it has been proved that sourrounding people with red will raise blood pressure, but there is little academic record of any experiments confirming this; the only one I have found is described by Faber Birren, the great twentieth century American colourist, in his book color psychology and color therapy, in which he referes to Robert Gerards thesis for the university of California at Los Angeles. Birren describes experiments where Gereard used Red, Blue and White lights, Transmitted on a diffusing screen. It seems to make sense; Red certainly seems to be physically stimulating. Because it requires such an adjustment in the eye, it appears to be nearer than it is, whicvh is why it is often used when visual impacts is important. The most obvious example of our recognition that red catches the eye is its use the world over for traffic signals. Mqany football teams have red in there colours and thus creates the impression of physical strength, even aggression other of the same coin. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.25 26) Blue is the colour ofr the intellect. In the same evidence about raising blood pressure with red, so blue is deemed to lower the blood pressure. Certainly it is a soothing, calming colour, encouraging reflection. Nature uses it lavishly in the sky and sea but this is in a reflective sense, as neither air nor water contains any colour. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.26) Yellow focuses on the emotions. Having learned that the third chakra relates to the pancreas, I could not at first understand the link, but then I realized if we are nervous, where do we feel it? We have butterflies in our stomach. Green is at the centre of the spectrum and represents perfect balance. It strikes the eye at the point requiring no adjustment, thereby presenting no strain. The pigment which reflects green chlorophyll is vital to life, and when our environment contains plenty of green we are reassured. Wright.A, (1998). The Beginners Guide to Colour Psychology. Colour Affects LTD (London) (pp.27) Colour Psychology FOOD Of all the colors in the spectrum, blue is an appetite suppressant. Weight loss plans suggest putting your food on a blue plate. Or even better than that, put a blue light in your refrigerator and watch your munchies disappear. Or heres another tip: Dye your food blue! A little black will make it a double whammy. What you see above is a delicacy prepared for the annual food party held at the end of the authors color course at the University of Hawaii. Its musubi, consisting of rice, a filling and nori a seaweed wrapper. Traditionally its Japanese but very popular in Hawaii in its natural state. In case youre wondering what the pink stuff is, its spam. If you want to create your own dyed food, use only natural food coloring purchased in a grocery store. Other coloring agents are toxic. Dramatic results can also be achieved by using a blue light bulb for your dining area. Blue food is a rare occurrence in nature. There are no leafy blue vegetables (blue lettuce?), no blue meats (blueburger, well-done please), and aside from blueberries and a few blue-purple potatoes from remote spots on the globe, blue just doesnt exist in any significant quantity as a natural food color. http://www.colormatters.com/appmatters.html A food professional has this to say: Color and the appeal of various foods is also closely related. Just the sight of food fires neurons in the hypothalamus. Subjects presented food to eat in the dark reported a critically missing element for enjoying any cuisine: the appearance of food. For the sighted, the eyes are the first place that must be convinced before a food is even tried. This means that some food products fail in the marketplace not because of bad taste, texture, or smell but because the consumer never got that far. Colors are significant and almost universally it is difficult to get a consumer to try a blue-colored food though more are being marketed for children these days. Greens, browns, reds, and several other colors are more generally acceptable, though they can vary by culture. The Japanese are renowned for their elaborate use of food colorings, some that would have difficulty getting approval by the Food and Drug Administration in the United States. Gary Blumenthal International Food Strategies http://www.colormatters.com/appmatters.html Why Is McDonalds Yellow? The Role Of Environment On Eating Behavior November 4th, 2008 by drval in Health Tips, True Stories Im grateful to the Happy Hospitalist for pointing out that color matters when it comes to food consumption. As it turns out, blue light can be an appetite suppressant. And I actually know about this first hand. I helped to design a research study in connection with Architectural Digest and the Parsons School of Design several years ago. I was a volunteer instructor for a hospital design course in NYC, and wanted to show the students that lighting could influence eating patterns. As it happened, there was a big gala event at a local convention center, and so I worked with my friend Shashi Caan to set up three identical rooms bathed in three different colored lights (yellow, blue, and red). We had all the gala attendees dress up in white bunny suits (you know, the kind you let patients wear in the OR) and shuttled them through the 3 rooms at regular intervals. The rooms could each hold about 40 guests and copious identical hors doeurves were offered. Guess what we found? The most food was consumed in the yellow room, followed by red, and then a distant third was blue. About 33% fewer snacks were consumed in the blue room during the event (and yes we controlled the number of people in each room so theyd be equal). I found this quite fascinating, but unfortunately never published the results. You see, I didnt receive IRB approval for any of it. But the experiment did leave an indelible impression on my mind. As I thought about it, I realized that most fast food restaurants have yellowish interiors. From the golden arches to the lighting companies like McDonalds probably recognized (long before I did) that color influences purchasing and eating behavior. Yep, Im late to this party and Im not painting my kitchen yellow. http://www.getbetterhealth.com/tag/appetite-suppressant Colour Marketing and Branding Color and Marketing 1. Research conducted by the secretariat of the Seoul International Color Expo 2004 documented the following relationships between color and marketing: 92.6 percent said that they put most importance on visual factors when purchasing products. Only 5.6 percent said that the physical feel via the sense of touch was most important. Hearing and smell each drew 0.9 percent.   When asked to approximate the importance of color when buying products, 84.7 percent of the total respondents think that color accounts for more than half among the various factors important for choosing products. Source   2. Research reveals people make a subconscious judgment about a person, environment, or product within 90 seconds of initial viewing and that between 62% and 90% of that assessment is based on color alone. Source: CCICOLOR Institute for Color Research 3. Research by the Henley Centre suggests 73% of purchasing decisions are now made in-store. Consequently, catching the shoppers eye and conveying information effectively are critical to successful sales. Color and Brand Identity 1. Color increases brand recognition by up to 80 percent University of Loyola, Maryland study 2. Heinz Color influences brand identity in a variety of ways. Consider the phenomenal success Heinz EZ Squirt Blastin Green ketchup has had in the marketplace. More than 10 million bottles were sold in the first seven months following its introduction, with Heinz factories working 24 hours a day, seven days a week to keep up with demand. The result: $23 million in sales attributable to Heinz green ketchup [the highest sales increase in the brands history]. All because of a simple color change. 3. Apple Computer Apple brought color into a marketplace where color had not been seen before. By introducing the colorful iMacs, Apple was the first to say, It doesnt have to be beige. The iMacs reinvigorated a brand that had suffered $1.8 billion of losses in two years. (And now we have the colorful iPods.) Color Increases Memory If a picture is worth a thousand words, a picture with natural colors may be worth a million, memory-wise. Psychologists have documented that living color does more than appeal to the senses. It also boosts memory for scenes in the natural world. By hanging an extra tag of data on visual scenes, color helps us to process and store images more efficiently than colorless (black and white) scenes, and as a result to remember them better, too. Source: The findings were reported in the May 2002 issue of the Journal of Experimental Psychology: Learning, Memory and Cognition, published by the American Psychological Association (APA) http://www.colormatters.com/market_whycolor.html The Contributions of Color to Recognition Memory for Natural Scenes, Felix A. Wichmann, Max-Planck Institut fà ¼r Biologische Kybernetik and Oxford University; Lindsay T. Sharpe, Università ¤t Tà ¼bingen and University of Newcastle; and Karl R. Gegenfurtner, Max-Plank Institut fà ¼r Biologische Kybernetik and Justus-Liebig-Università ¤t Giessen; Journal of Experimental Psychology Learning, Memory and Cognition, Vol 28. No.3., 5-May-2002 Color Engages and Increases participation Ads in color are read up to 42% more often than the same ads in black and white (as shown in study on phone directory ads). Source: White, Jan V., Color for Impact, Strathmoor Press, April, 1997 Color Informs Color can improve readership by 40 percent 1, learning from 55 to 78 percent 2, and comprehension by 73 percent 3. (1)Business Papers in Color. Just a Shade Better, Modern Office Technology, July 1989, Vol. 34, No. 7, pp. 98-102   (2) Embry, David, The Persuasive Properties of Color, Marketing Communications, October 1984. (3) Johnson, Virginia, The Power of Color, Successful Meetings, June 1992, Vol 41, No. 7, pp. 87, 90. Color Attracts Attention Frequently Cited Facts   Tests indicate that a black and white image may sustain interest for less than two-thirds a second, whereas a colored image may hold the attention for two seconds or more. (A product has one-twentieth of a second to halt the customers attention on a shelf or display.) People cannot process every object within view at one time. Therefore, color can be used as a tool to emphasize or de-emphasize areas.   A Midwestern insurance company used color to highlight key information on their invoices. As a result, they began receiving customer payments an average of 14 days earlier. Other Research 92% Believe color presents an image of impressive quality 90% Feel color can assist in attracting new customers 90% Believe customers remember presentations and documents better when color is used 83% Believe color makes them appear more successful 81% Think color gives them a competitive edge 76% Believe that the use of color makes their business appear larger to clients Source: Conducted by Xerox Corporation and International Communications Research from February 19, 2003 to March 7, 2003, margin of error of +/- 3.1%. http://www.colormatters.com/market_whycolor.html Color and the Senses General facts about sensory input and human beings: Although the olfactory sense was a human beings most important source of input in the pre-historic era, sight became our most important means of survival. Furthermore, as hunters and gatherers in the early days of our evolution, we experienced a variety of colors and forms in the landscape. This has become part of our genetic code. In our current state of evolution, vision is the primary source for all our experiences. (Current marketing research has reported that approximately 80% of what we assimilate through the senses, is visual.) Our nervous system requires input and stimulation. (Consider the effects of solitary confinement in jails.) With respect to visual input, we become bored in the absence of a variety of colors and shapes. Consequently, color addresses one of our basic neurological needs for stimulation. Color and Visual Experiences   It is probably the expressive qualities (primarily of color but also of shape) that spontaneously affect the passively receiving mind, whereas the tectonic structure of pattern (characteristic of shape, but found also in color) engages the actively organizing mi

The Importance of EDI :: GCSE Business Marketing Coursework

The Importance of EDI To stay competitive in today's global economy, businesses are being forced to re-evaluate the way they do business with their customers and their vendors. We cannot afford to close our eyes to advances in technology in the way many businesses have done in the past and continue to do even now. It is a question of do it or die in the competitive world of products and services where the well informed and the technologically equipped will reap the rewards of success. Our company is already behind others in technology and efficiency by not having EDI. Without EDI, our internal processes have poor response times, excessive paperwork floating around and potential errors that should not be necessary as well as wasting personnel time doing a work that could be automated. When business begins to trade or share core information, the return of technological investment is clear and then we realize the true value of EDI. We should not stay behind our competitors and should start now a process of implementing EDI in our company, improving our efficiency and productivity, and reach higher levels of customer satisfaction. When EDI is used as a tool to enable process change and help achieve business goals, significant benefits can be reached. EDI enhances all parts of the business process, and we would expect some impacts, such as: Â · Reduced Process-Time: the need to send and receive information is crucial in today’s business world. With EDI, data can be sent and received in seconds and 24 hours a day and 7 days a week, thus allowing business to continue outside the normal business day, and the turnaround time for a business transaction can be reduced from days to hours and, in some instances, to minutes or even seconds. Â · Increased Efficiency: the major part of data entry tasks is generated from a computer. When companies develop compatible electronic documents, data is never copied, re-keyed, or manually filed, freeing employees for more important activities, eliminating tedious work and reducing the risk of human error. Â · Optimized Inventory: managing inventory is a critical issue for any business. EDI can provide faster and more accurate information about production, buying and delivery needs. It is a link between customer, seller and vendor thus leading to improved inventory management and reduction in inventory levels. For initial EDI projects, limited objectives with perceivable benefits should be our first step.

Analysis of Willy Russell’s Blood Brothers :: Theatre Drama Blood Brothers Plays Essays

Analysis of Willy Russell’s Blood Brothers Tell me it’s not true Say it’s just a story These words echoed in my head as I entered the Phoenix Theatre. I had had past experience with â€Å"Blood Brothers† by singing the heartbreaking ballad â€Å"Tell Me It’s Not True† in a past show. Therefore I anticipated that the performance I was about to watch was going to be a roller coaster of emotions, with bitter consequences. I expected a first class show with strong, slick performances from the cast and fantastic musical numbers. This expectation of â€Å"Blood Brothers† was partly due to it being in the reputable West End of London and had been running at the Phoenix Theatre since 1991. This made me think that a musical that could still have large audiences coming to see it in the highly competitive London Theatre scene, must have something exceptional. I also has background knowledge about â€Å"Blood Brothers† from reading the script in parts in class. However, some parts of the play were still patchy to me, so I was looking forward to having the entire story acted out from start to finish. It was interesting for me as well because I was familiar with other plays Willy Russell had written. Having seen Shirley Valentine and read â€Å"A Grand Day Out† I enjoyed his of simple, uncluttered style of writing. â€Å"Blood Brothers† is set in Liverpool 1962. Its story stems from an impoverished single mother of six called Mrs Johnstone who, by finding that she is pregnant with twins, is persuaded to give up one of her unborn children to her employer, Mrs Lyons. The story unfolds by portraying how the two brothers grow up so differently without ever knowing they have a twin. â€Å"Of one womb born, on the self same day How one was kept and one given away?† The story deepens when the twins become friends when they are seven but both realise that they have the same birthday and therefore are both â€Å"nearly eight†. They become best friends and declare one another to be their â€Å"Blood Brother†. From then on the story follows their persistence to remain friends and the obstacles each come up against. Sadly though, their forbidden friendship finally leads to one another’s tragic death; never knowing the truth that they were brothers. Never knowing they shared one name Till the day they died I never really absorbed the absurdity of the storyline because the script was so subtle in its telling of the story, and the performance of the cast didn’t over dramatise the events unfolding. If they had, it would have made the story have an unwanted comical element as it